The Age of the sphinx
Part III
An Original Research Series, "The Age of the Sphinx©"
JamesBowles_October 9, 2000 (1)
Part 3) The Nascan Figures & The Pyramid Texts
There are some cryptic lines
In the ancient Texts
That I will Quote Verbatim
For no where else, will you ever see
Anything quite like them!
There is no star-god
It starts off,
Who has no companion
Then of you, it simply asks,
"Have you your companion?" (2)
Many have explored the ancient ways
Wondering how they Thought
Always searching, Never dreaming
Truth's were embodied in the "Companion"
Always to be found Remote.
Far to the West, On a Peruvian plain
The Nascan Lines interspersed with forms
Weathered and wind-worn!
A Garden of Eden, An Elysium field (3)
A playground of the gods!
Where, Ascending the celestial ladder
The image of Thoth, So natural!
With Ithyphallic lines below its tail
Its arms Maternal, in counterpart
Aspiring affinity, To the virility of the gods.
Now there's another passage we must read
That tells us how they thought
"How lovely to see"
"How pleasing to behold!"
Says Isis, As she speaks to Thoth. (4)
"You are helped by Atum and the gods"
On this ladder, To the Sky
Your power upon you
Your terror about you
Your magic at your feet! (5)
Few words you'll read
With such Elegance of thought
Than these you've read from Isis
Once hidden deep, On a pyramid's walls (6)
So eloquently scribed, And all but forgot.
For each other, the Companions seek
Across the sea so broad and wide
"How lovely to see"
"How pleasing to behold," says Isis,
To the Nascan image of Thoth.
It is not just these,
That I proclaim!
But hundreds more, Never dreamed!
Eternal Companions
Across the ages, And Across the plains. (7)
We know without the Telling
That all aligned in the Ancient world
The Pyramid Texts and the Nascan Lines.
But there's a gift, we Never sought
When Easter Island simmers on the extended line. (8)
In Equatorial order, These three proclaim
An ancient world in Tropical Splendor
With relationships to emerge, and to Discover.
Alaska at the pole, in strange conformance
To Join the Pyramid Texts and the Nascan Lines. (9)
Few put Faith, In ancient numbers
But these we'll quote in Angular Conformity
Because the triangle laid upon the ground
To join the Texts, Alaska, and the Nascan Lines
Silhouettes in due precision the Pyramid's geometry.
The ancient equator Aligns these lands
Easter Island and the Nascan Lines.
And it shadows the Sphinx's spine.
But Four degrees South, the Face has Swayed
To parallel the Equator of Today. (10)
****************
ILLUSTRATION: Four degrees South the Sphinx's Face has Swayed.
Go to Part 4 (here)
Endnotes:
1) An Original Poem by James Bowles, author of "The Gods, Gemini, and the
Great Pyramid."
"The Gods, Gemini, and the Great Pyramid" may be purchased at all Barnes and
Noble Book Stores, or ordered via the Internet at:
2) R. O. Faulkner, "Ancient Egyptian Pyramid Texts," Aris &
Phillips,Warminster- England, Oxford University Press, 1969 (§ 141)
3.) The Elysium, or Elysian, fields in Greek mythology, are a happy other
world "In the West" for heros favored by the Gods. It is an earthly
paradise, or Garden of Eden. [The Concise Columbia Encyclopedia, Columbia
University Press]
4.) Ibid, Faulkner, (Utterance 572, § 1472) The actual wording is, "How
lovely to see, how pleasing to behold! says Isis, when you ascend to the
sky, your power upon you, your terror about you, your magic at your feet;
you are helped by Atum just as he used to do, the gods who are in the sky
are brought to you, the gods who are on earth assemble for you, they place
their hands under you, they make a ladder for you that you may ascend on it
to the sky."
5.) The association between the Baboon [who on the plateau is pictured with
a spiraling tail] and the Pyramid Texts, is made clearer when we consider
that Atum is the Sun God and the spiraling tail of the Nascan Thoth,
represents the variant energies of the Sun. (ref. § 1472 above)
6.) The story goes that a desert fox taunted a herdsman into following him
into an opening in the north face of a crumbled pyramid in Saqqara, Egypt,
where, after crawling through the dank passageway, the herdsman entered a
chamber wherein were inscribed thousands of lines of hieroglyphic
inscriptions. (Robert Bauval and Adrian Gilbert, "The Orion Mystery," Crown
Trade Paperbacks, New York, 1994, Pg. 57-8)
7.) Reference Part 3, "The Gods, Gemini, and the Great Pyramid."
8.) The proof of this alignment can be demonstrated with spherical geometry,
but it is too complex for this format, so the reader is invited to stretch a
taught string across a world globe linking Easter Island, Nasca, and Giza to
confirm this alignment claim. This is best facilitated by inserting pins at
each location.
9.) The "Terrestrial Triangle," joining Alaska with Nasca and Giza, has
base angles in common with the Great Pyramid, of 51º 51'.
10.) The four degree angular disparity between the line of the Sphinx's
spine and the alignment of the face is best seen in photograph. A photograph
titled, Sphinx's Spine, is posted in this e-Group's "Files."
Author's Note: The development of the relationship between the Nascan
figures and the Pyramid Texts took years of research. There is little that
is obvious without intense study and point by point examination. So in
acknowledgment, please accept my reference to "The Gods, Gemini, and the
Great Pyramid" for other examples.
NOTES:
a.) It is the purpose of, ‘The Age of the Sphinx©," series to search the
physical, cultural, and scientific archives, and bring together everything
that can be found that chronicles an extreme age of the Sphinx, and a
verifiable model of catastrophic Earth change.
The hypothesis that patterns this research is that the Sphinx is
approximately 30 to 36,000 years in age, that the catastrophic model is one
of crustal displacement, and the cultural model is one of near total
catastrophic extinction of non-Biblical origin.
b.) This poem may be copied and distributed provided 1.) All copyright
laws, both domestic and foreign are complied with, 2.) The poem is not
altered, or amended in any way, 3.) It is copied and distributed in its
entirety, including title, author credits, copyright, notes, endnotes,
acknowledgments, and any and all content that is inherent, though may not be
mentioned here specifically.
"All truth goes through three stages: first it is ridiculed: then it is
violently opposed: finally it is accepted as self evident." Schopenhauer
An Original Research Series,
"The Age of the Sphinx©" JamesBowles_October 9, 2000
The Age of the Sphinx